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Ehrlich's ENG 275 Course Playbook
A Room of One's Own
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Ehrlich's ENG 275 Course Playbook
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Unit 1: Who Are Women Writers
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Joanna Russ
Elaine Showalter
Unit 2: Gender Roles and the Domestic Woman
The Awakening
The Second Sex
Pride and Prejudice
Gender Performativity
Angel in the House / Madwoman / Anxiety of Authorship
New Woman Fiction
The Laugh of the Medusa
A Room of One's Own
Unit 3: Matrilineal Communities
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The Joy Luck Club
The Reproduction of Mothering
Say It with Noodles
Unit 4: Intersectional Struggles: Race and Gender
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Nervous Conditions
Chimamanda Ngozi Adichie
Kimberlé Crenshaw
Homi Bhabah: Hybridity
Gayatri Spivak
Frantz Fanon
Audre Lorde
Unit 5: Revolution and Resistance
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Marjane Satrapi
Edward Said
Unit 6: Creating Dangerously: Migration and Borderlands
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Sandra Cisneros
Latinos in America
Gloria Anzaldua
Edwige Danticat
Julia Alvarez
Unit 7: Conclusion: Happy Feminists?
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Adichie: Happy Feminist
Mary Shelley's Frankenstein [2025 One Book]
Schools of Literary Criticism
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Virginia Woolf: A Room of One's Own
Virginia Woolf: Overview
Overview: A Room of One's Own
Critical Essay on "A Room of One's Own
Fish-cat metaphor in A Room of One's Own
The Essay as Novel: Technique in A Room of One’s Own
Women’s Colleges and A Room of One’s Own
No Gate, No Lock: A Room of One's Own as Complaint
A Room of One's Own: Women Writers and the Politics of Creativity
Anger and Conciliation in Woolf's Feminism
6 Fictions of Absence: Feminism, Modernism, Virginia Woolf
Feminist Narrative in Virginia Woolf
Revisiting Woolf's Representations of Androgyny: Gender, Race, Sexuality, and Nation
"Untying the Mother Tongue": Female Difference in Virginia Woolf's A Room of One's Own
Virginia Woolf and Androgyny
Shakespeare's Sister [Video]
Why should you read Virginia Woolf? - Iseult Gillespie
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The Laugh of the Medusa
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Unit 3: Matrilineal Communities >>